The work focuses on photography as an object in continuous transformation, in which it is not possible to define an absolute perceptual reality.
The photograph of a landscape has been manipulated by drawing graphite on its surface several times. Each intervention was photographed and later deleted or modified by other signs. It’s the discovery of a potentially infinite number of possibilities that reveal themselves on the surface/object of the printed photograph. The images obtained in each passage have been superimposed in three video channels creating moving images, that can be seen inside a wooden screen (the wooden screen of “Wave Recon I” is painted with unfixed cyanotype emulsion, thus continuously changing in response to light).
The attempt to reveal a physical form dissolves into perceptual disorientation in which the reality of the image is questioned.